The Great Dickens Christmas Fair and Victorian Holiday Party - 20th Year At the Cow Palace

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You have completed the online Returning Merchant Application for the 2019 Great Dickens Christmas Fair. You will be emailed confirmation of your payment. Once we process your application submittal and payment, we will determine your acceptance into the 2019 Dickens Fair and, if accepted, you will receive a contract in a separate mailing which will need to be signed and returned with the first portion of your fees. Please refer to the 2019 Returning Merchant Application PDF for details.

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Upper Classes:

Vowel sounds:

  1. "a" is pronounced "aw," as in awful. Example: ask, answer, half, bath, can't, demand, master, France.
  2. "u" is pronounced "oo," as in boot. Example: duke, duty, news, tune, stupid, student

Consonant sounds:

  1. "r" at the beginning or middle of a word is rolled or flipped. Example: randy, rabbit, paltry, rose, red, terrible, Mary
  2. "r" at the end of a word is dropped. Example: park = pawk, father = fatha
  3. "t" and "h" are pronounced normally, not changed as in Cockney phrasing.

Sentences for the genteel:

  • A very happy Christmas, Madame, how can I be of assistance?
  • Good morning, Good Sir, and how may I serve you this day?
  • I trust that you've found everything to your liking?
  • If there is anything I can do to assist you in any way, do not hesitate to ask.
  • Please, feel free to browse about and peruse our merchandise.
  • Have a Happy Christmas and a very merry New Year!

Note: A nod of the head shows respect for your customers.

Useful short phrases for middle or upper class characters:

  • Compliments of the season!
  • Most excellent (as in "a most excellent fowl," "a most excellent evening")
  • Good riddance to bad rubbish.
  • As good as gold and as true as steel.
  • This is most irregular.
  • We had the most agreeable things to eat for tea.
  • I shan't think such things.
  • I daren't go out at night with these ruffians.
  • Stuff and nonsense, oh fiddlesticks!

Replacements:

  • Money – farthings, ha'penny, sixpence, shilling, half-a crown, pound sterling, sovereign, guinea
  • Candy – sweets, confectionary
  • Bathroom – water closet
  • Pants – trousers
  • Lawyer – barrister, solicitor
  • See – try ("Let's try how this works.")

Thoughtful thanks and pardons:

  • I beg your acceptance of my very hearty thanks.
  • I have great pleasure in being useful to you.
  • I thank you for your kind inquiries.
  • Why, the pleasure is all mine, I assure you.
  • Pray do not mention it, it's of no consequence.
  • You are most kind.
  • Permit me to thank you.
  • I thank you for the compliment.
  • My dear, you look radiant.
  • A thousand pardons.

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Lower Classes (Cockney Language)

Vowel sounds:

  1. "a" is pronounced brightly as in hat. Example: can, ant, pan
  2. "o" and "u" are pronounced darkly as in off. Example: doff, often, cup, sup

Consonant sounds:

  1. "tt" in the middle of the word is glottal stopped. Example: Lit'le, pret'y
  2. "h" is dropped at the beginning of words. Example: 'appy, 'eart, 'ead, 'ome, 'opeful
  3. "h" is added to the beginning of words that start with a vowel. Example: hangel, hexample, hestraordinary
  4. "th" in the middle of a word is pronounced as an "f" or "v." Example: somfing, muver, anyfing
  5. "g" at the end of "ing" words is dropped or changed to a "k." Example: walkin', runnin', feelin', anyfink, thinkink, tryink.

Some useful phrases:

  • 'appy Christmas, Gov'ner. 'ow can I be of hassistance?
  • A lovely day, ain't it? 'ow's the misses and those lit'le ones?
  • Look about, look about and if you sees somfing you like, just give a nod.
  • Oo, your Lordship, what brings you 'ere? 'as somfing caught you eye?
  • Now, your Ladyship, you 'ave a 'appy Christmas and a merry New Year.

Note: Men should doff their hats to ladies and their betters; women should bob a quick curtsy to gentlemen and their betters.

Replacements:

  • In yer eye! – Are you kidding?
  • Cove/tuff/swell/guv'ner – Gentleman
  • Crusher/bobby/peeler – Policeman
  • Chimbley – Chimney
  • Rhino/tin/scratch – Money
  • Humbug – Nonsense
  • Get stuffed – Get lost
  • Get your collar felt – Arrested
  • A stunner/a looker – A beauty
  • Precious – Very, whole, real
  • Prime – Great
  • I does – I do
  • Stone Jug/clink – Prison
  • Nipper – Child
  • Me uncle's – Pawn shop
  • Cracked-up – Penniless
  • Jaw breakers – Long words
  • Flog it off – Sell it
  • I is – I am
  • Rum – Strange

Other phrases:

  • She's a dear old fing.
  • I'm in sommat reduced circumstances.
  • Look sharp.
  • Jolly good.
  • 'Ow cheeky of 'er!
  • We're done for!
  • I'll take the lot.
  • I can't afford 'em, they're too dear.
  • All hat one go.
  • Worse luck.
  • There's a love.

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Victorian Advertising Slogans:

  • "As sold at exhibitions"
  • "A world-wide necessity"
  • "Has risen into favor by its merits alone"
  • "Unsurpassed for purity and delicacy of flavor" (food)
  • "Close personal attention assured"
  • "Handsome and useful presents"
  • "Sold at prices which will bear comparison with any other stores"
  • "Specially selected for purity of style and quality and will be found to harmonize with the prevailing taste"
  • "See our selection before making purchases elsewhere"
  • "For the convenience of country customers orders will be taken"
  • "Well known and appreciated in almost every household throughout the land"
  • "The proprietor begs to draw attention to . . . "
  • "Style, durability, and accurate fit guaranteed"
  • "No effort spared to place before our customers the newest and most fashionable production as each season approaches"
  • "Special orders executed with the utmost dispatch"
  • "Accuracy and dispatch may be relied upon, all items being sent by express tricycles and special messengers, at frequent intervals"
  • "Confidently recommended"
  • "The celebrated ________________"
  • "Not to be confused with ______________"
  • "The best and cheapest"

Public Costume Policy: Costumes are Admired, but never Required!

What is the best way to dress for a day at the Dickens Christmas Fair? Is there any clothing that isn't permissible?

The Dickens Christmas Fair is a casual, family-oriented environment. We suggest you dress comfortably, wear good walking shoes, and check the local weather report to determine if coats and umbrellas will be needed for your walk from the parking lot. The entire Fair is indoors and there is a Cloak Check just inside the entrance to "London." On sunny days it can get warm inside the Dickens Fair and you may wish to dress in layers that you can easily add or remove.

It is not necessary to come fully dressed in Victorian attire to enjoy the Dickens Christmas Fair. Adding one or two things to your regular wardrobe can go a long way to putting you in the mood!

  • Men: Wear a vest or waistcoat (pronounced “west kit” in Victorian times), or add a pair of suspenders (or bracers) to your pants. A top hat or bowler is always a snazzy addition to any man’s wardrobe.
  • Women: A long skirt and blouse will begin to put you in the spirit of the era. Adding a bonnet or some sort of hair covering will reflect the “Victorian modesty” of the day.
  • Children: Children’s fashions were often a reflection of what adults wore. For boys, a newsboy cap and a vest would be perfect!
  • With girls, just add a skirt. You could almost guess their age by the length of the skirt, and by how much of her bloomers (drawers) showed. A flower decorated hat is a lovely touch.
  • Consider turning your cell phone off so that you can immerse yourself in the environment without distractions of the modern day.

"Okay" vs. "Not Okay":

Ensuring that the Fair maintains a family-friendly environment is an important part of our theatrical time travel & holiday experience. In that spirit, we ask you to use your discretion and common sense. Attire that is not appropriate for a family event (and which may result in refusal of admittance) includes but is not limited to:

  • Clothing with objectionable material, including obscene language or graphics
  • Clothing which, by nature, exposes excessive portions of the skin that may be viewed as inappropriate for a family environment

We also ask that you not attend the event in costumes or clothing that can be viewed as representative of a central Dickensian character (especially Ebenezer Scrooge; the Ghosts of Christmas Past, Present & Future; and Charles Dickens; or of course, Queen Victoria herself or Father Christmas himself; or the American Santa Claus).

Guests may not wear full head masks (such as “Furries”) of any kind, or a full face mask unless it is transparent and used for a medical condition. Small Masquerade style masks are permitted, especially if part of a Victorian Ball costume or Evening attire.

Guests may not attend in costumes that are highly distracting from our Victorian theme. This is at management’s discretion and includes but is not limited to the following examples: Storm Troopers (Star Wars costumes in general), Superheros (such as Marvel Comics characters), Fantasy characters, (including Sorcerers, Krampus, and Monsters). The entire Dickens Christmas Fair is a theatrical venue where our actors are maintaining a story line relating to the works of Charles Dickens and the London of the mid 1800s. Appearing in costumes not in keeping with the theme detracts from the authentically Victorian reality our performers work very hard to create. 

Thank you for your understanding and cooperation.

Please take the time to consult our very informative Participant Costume Guidelines below to help you create a full or partial costume to enhance your experience. Again, costumes are encouraged, but not required.

Happy Christmas!


Participant Costuming Overview

Introduction | Makeup, Piercings, Tattoos | Fabrics & Colors | Movie & TV Sources | Books | Links | Public Costume Policy

Looking for costume approval information? That's on our Performing at the Fair page, under Requirements for Performers!


The Great Dickens Christmas Fair is a theatrically historical re-creation of 19th-century London as it was seen through the eyes of Charles Dickens. Though Mr. Dickens' writing spans a good portion of the mid-to-late 1800s, we are setting our costume timeline to the years of 1842-1863.

We are working to create a total environment in which the clothes you wear become the scenery of the play. With that in mind, this is why we require head-to-toe costumes, historically accurate and appropriately accessorized, for all participants during Fair hours. During our hours of operation no participants should be in the streets out of costume or in partial costume. when designing your costume, please consider your character, your occupation and/or class, and what you are doing here at the Fair (actor, vendor, caterer). We are an "outdoor" event that all takes place under the roof of the Bovine Imperial Residence. Please remember that wearing your coats, shawls, wraps, bonnets, hats, scarves and gloves while "on the streets of London" goes a very long way towards creating the illusion of a cold Christmas Eve.

Corsets were the foundation garment of the time. Women wore crinolines and many, many starched petticoats to hold up the voluminous bell-shaped skirts that were in fashion. Women should understand that neither the high empire waist of the 1820s-30s nor the bustle of the late 1860s-80s are appropriate for the Dickens Christmas Fair.

A very important note for EVERYONE: Please wear your costume, shoes and corsets before opening day. Wear them to workshops and rehearsals as soon as possible. Do not try to break them in on opening weekend - you will regret it. And always remember one simple little rule - shoes first, then corset!

For those of you among the less well-to-do, you should know that in this period, few things change owners more often than clothes. They travel downwards from grade to grade in the social scale with remarkable regularity. The original owner may sell a well-worn garment to a "clabberer" who would use his arts to make it almost as good as new and who then resold it to someone else, and the cycle would continue. Even when a garment became too tattered to be patched, it was sold to someone whose business was taking clothes apart and making new things out of the pieces.

If you desire more detailed information than we present here, we highly recommend the book Victorian Costuming, Volume I: 1840 to 1865 by Janet Winter and Carolyn Savoy. In the book's pages you will find all the information you need to construct your own costume. Some of the thrift store ideas in it are out of date merely because there are different styles to choose from than when it was written. It is a fabulous resource. It is published by Other Times Productions and can be obtained through Patterson & Sons at the Fair, and from Games of Berkeley at 2152 Shattuck Avenue, Berkeley, CA 94704, (510) 540-7822.

Makeup, Piercings & Tattoos

  • Everyone, both men and women, should wear just a little bit of makeup - not enough to look made up, but enough to give your face a little life. A non-bright lip color, blush, powder, brow pencil and makeup base will be enough. Eye makeup needs to be very discreet, as eye shadow and mascara were not worn during our time period and tend to be quite obvious. The lights at the Fair are unflattering and much as you may dislike it, some subtle stage makeup will really make a difference.

  • It goes without saying that Victorians did not have their noses, lips, eyebrows, etc. pierced and neither should you. There are many companies that make "flesh" tone silicone plugs for concealing piercings. Kaos Softwear is one of them.

  • Neither did Victorians have VISIBLE tattoos. Please make sure that your tattoos are covered by either clothing or with a makeup designed to hide tattoos, such as Dermablend. There are also several YouTube videos that show how to cover them as well.

Fabrics & Colors

Suggested fabrics are wool, twill, serge, cotton velvet, satin, taffeta, cotton, and linen.

Colors were rich and varied - garnet, plum, moss green, gold, gray, beige, brown, blue, and black. Fabric patterns were interesting and fun, including plaids, prints, paisleys, stripes, herringbone, and tweeds. Remember that it is winter, so your color choices should reflect this.

DO NOT use fluorescent or modern-looking colors or prints, and avoid obvious polyester fabrics. 

Recommended Movie & TV Sources for Costuming

There are many books and movies that are excellent sources for costume, manners and accent of the time we are portraying. Below is a selection of some potentially useful films.

  • The story of Adele H. or L'histoire d'Adele H. (French movie about British events, subtitled) - Women's garments and military costume.
  • Fingersmith (BBC production, 2005) - Great representation of lower-class Cockneys as well as upper class, set in the early 1860s
  • Christmas Carol (Patrick Stewart) - Fabulous for all classes.
  • Oliver Twist (Elijah Wood, Disney) - The color palette is excellent for The Dockside area, or Mad Sal's.
  • BBC David Copperfield miniseries  - Starring a young Daniel Radcliffe. This is a very good movie and an excellent source for visuals.
  • Nicholas Nickleby (2002) - A wonderful movie full of approvable costume ideas and colorful characters. Highly recommended for this Fair.
  • Little Women (Winona Ryder, 1994) - Great middle-class 1860s costumes; ignore that later 1870s bustle costumes towards the end of the film.
  • North & South (based on an Elizabeth Gaskell novel, BBC production, 2004) - Lovely upper-middle class 1860s costumes.
  • Oliver Twist (Roman Polanski dir, 2005) - Interesting lower class, fabulous middle class costumes especially on the extras in the street scenes.
  • The Secret Life of Mrs. Beeton (BBC production, 2006) - About Catherine Beeton, the Englishwoman who wrote a hugely popular cooking/household management book in the 1850s. Nice middle class costumes.
  • Turn of the Screw (based on the Henry James novel, 1999) - Nice 1840s middle class.
  • The Great Train Robbery with Sean Connery, Donald Sutherland and Leslie Ann-Down
  • Bleak House (BBC miniseries, 2005)
  • Little Dorrit (BBC miniseries, 2008)
  • The Old Curiosity Shop (Carnival Films, 2007)
  • Edward VII/Edward the King (ATV miniseries, 1975) The first 3 episodes focus on Victoria and Albert up to Albert's death, while the last 3 focus more on Edward; still, great costuming and the history is bang-on.
  • The Young Victoria (2009) The early costumes are well done; the history, so-so.

Recommended with reservations:

  • Black Adder's A Christmas Carol (BBC) - You can't trust Black Adder not to play a bit with history, but worth seeing just for the fun of it.
  • Oliver! - The musical. Costumes (especially women's) are not necessarily accurate, but this film is many people's first visual impression of Dickens. The first part of this movie has an excellent crowd scene. Watch it for just that.


Please feel free to e-mail Liz Martin with any questions at: [email protected]

Books

It is very difficult to recommend just one or two books as references for this period. As mentioned above, Victorian Costuming, Volume I: 1840 to 1865 by Janet Winter and Carolyn Savoy is an excellent starter book. Here is the list we use for the Costume Overview class at workshops:

  • Fashion: The Collection of the Kyoto Costume Institute
    Taschen - ISBN: 3-8228-1206-4
  • English Women's Clothing in the 19th Century
    Dover - ISBN: 0-486-26323-1
  • Men's Garments 1830-1900
    R.I. Davis - ISBN: 0-88734-648-0
  • Fashion & Costumes from Godey's Lady's Book
    Dover - ISBN: 0-486-24841-0
  • Godey's Costume Plates in Color
    Dover - ISBN: 0-486-23879-2
  • Four Hundred Years of Fashion
    Victoria and Albert Museum
  • In Style - 50 Years of the MMA Costume Institute
    Metropolitan Museum of Art
  • From Queen to Empress: Victorian Dress 1837-1877
    Metropolitan Museum of Art
  • Cut of Men's Clothes: 1600-1900
    Norah Waugh - ISBN: 0-87830-025-2
  • Victorian Costuming, Volume I: 1840-1865
    Janet Winter & Carolyn Savoy
  • History of Children's Costume
    Elizabeth Ewing - ISBN: 0-684-15357-2
  • Victorian London Street Life in Historic Photographs
    John Thomson, Dover - ISBN: 0-486-28121-3

Links

  • The Age of Uncertainty: Victorian photographs from the 1860s
    A fantastic resource put up on the web by UK blogger Steerforth -- Victorians from a variety of social backgrounds from the north of England in Charles Dickens' day. The link above goes to the full Flickr album; click here for the original blog post, including the story of how the photo album was narrowly saved from a trash bin!
  • Fashion-era.com: A good website for Victorian costuming and general information on the Victorian period.
  • Portraying the Victorian Woman - archived page from the Homespun Living History Guild - although this is written about American fashions and customs, it is close enough to be a wonderful resource.
  • Reproductionfabrics.com - Cotton reproduction fabrics organized by type and time period.
  • Renaissancefabrics.net - Specializing in wool, silk, linen, and cotton fabrics for historical costumers. Note: Some are appropriate for the Renaissance era and not for the Dickens Fair, so make sure you know your era!
  • Abraham's Lady - Civil War era clothing, accessories, patterns and fabrics, etc. Although this site focuses on the U.S. Civil War era, many of the items are also workable for the Dickens Fair.

 

We are re-creating Victorian London as Charles Dickens saw it, with shops, parades, music, and Christmas Cheer for all. It is our job as entertainers to create the illusion of reality by lending our hearts and minds to the task of developing three-dimensional characters from Dickens' works, complete with his or her own background, needs, ambitions, and idiosyncrasies. It is the hopeful purpose of these notes to enable you to start or continue your character development and suggest some paths to help you become an interesting and engaging part of our entertainment.

To create a real and interesting character you must keep several things in mind. Unless you are an accomplished actor, do not choose a character that is radically different from your own age, personality, or physical appearance -- stage make-up is not convincing when your audience is closer than twelve feet.

Choose to be an active person, not a passive person. A quiet, shy fellow or a blushing wallflower who cannot speak will not be noticed by fellow actors or the audience of fairgoers. We try to draw the audience in to our illusion, so you must choose a character who can interact not only with the other actors but with our audience as well. An ideal character can speak to everyone and draw them into our world. If you keep these suggestions in mind, your character will profit by it. Remember, good choices make good characters, bad choices make dull characters.

Now let's move from the general to the specific, for not only should your character be interesting, she/he must be solidly drawn from Charles Dickens' world. How do you create a Dickensian character? Read some Dickens! You can begin in any library, and there are more than 1,000 characters from which to choose. Consider the picture Dickens paints of Victorian England and the kinds of people he describes. Then choose the sort of character you wish to portray. Refer to the Dickens Bibliography for books from which you can draw characters.

Once you select a Dickens character you will be greeted with a wealth of specific details about that person, provided by an author noted for his clear, in-depth, and delightful character descriptions. In his pages you will find your character's name and much more. Your physical description, attitude, profession, and background are likely to be found as well, providing you with concrete material to bring this character to life.

Don't carry all this research in your head -- use it! How would the fact that a person is a Bagman reflect itself in his clothes, his speech, his manners, his bearing? What about a Barrister? A widow? A Crossing-sweeper? Use your research to answer questions for yourself. What am I doing in London? How would I react to a Pot-boy? To a Warfinger? Or to a Temperance Worker or Resurrectionist? Does my character have any special likes or dislikes -- and what can I do to make them apparent? The more knowledgeable you are about your character, the freer you will feel to engage her/him in interesting and demanding situations.

What: The 2019 Great Dickens Christmas Fair & Victorian Holiday Party
Dates:

Five Weekends including the Friday after Thanksgiving, November 23 ~ December 22, 2019

Times: 10:00 a.m. ~ 7:00 p.m.
Location: Cow Palace Exhibition Halls
Box Office Ticket Prices: Ticket prices range from $14 to $32 for children and adults. Season Passes are also available at $120 (a $352 value). Please check back for 2019 promotions, and be sure you are on our mailing list for early notification!
Parking: $12.00 (charged by the Cow Palace)
Discounts: Flyers will be available to all merchants for distribution to their clientele.

The Great Dickens Christmas Fair ~ the Bay Area favorite ~ returns, for its 37th Season, and its 20th at the San Francisco Cow Palace! The fair is a theatrical re-creation of nineteenth century London with all the color, charm, and merriment of Christmas during the time of Charles Dickens. The air is filled with enticing aromas of festive foods and the sounds of street vendors hawking their wares. The streets are filled with characters from Dickens' A Christmas Carol, David Copperfield, and Nikolas Nickelby, not to mention Mr. Dickens himself! First-time vendors should be aware that this is a highly themed street fair, designed to create a total immersion environment. All booth workers need to help us maintain the public's illusion by staying in costume and learning a bit of English cockney. The magic of the Dickens Fair, and what sets it apart, is the detailed theatrical setting we create together and the sense of ensemble and Christmas spirit put forth by all participants.

All Merchants Must:

  • Fill out the appropriate application completely and return postmarked by the 2019 deadline (May 15) for new merchants and returning merchants. Please see the How to Apply page.
  • Design and build a booth typical of the period or wander as a peddler with an appropriate cart. Please see the Booth Building Guidelines.
  • Wear approved Victorian costuming. This is required of all merchants and their employees. Please see the Costume Guidelines.
  • Attend stake-out or send a qualified representative
  • Pay all fees in a timely manner (see application for dates)
  • Provide insurance for the event (see application for verbiage for your agent)
  • Provide a current Resale Number
  • Purchase their own parking pass
  • Provide a fire extinguisher

Please see the application for other requirements.

How to Reach Us:

Address: Red Barn Productions
PO Box 1768 Novato CA 94948
Phone: (800) 510-1558
Fax: (415) 532-1888
Email: [email protected]